Daenerys and her fertility

“When will he be as he was?” Dany demanded.

“When the sun rises in the west and sets in the east,” said Mirri Maz Duur. “When the seas go dry and mountains blow in the wind like leaves. When your womb quickens again, and you bear a living child. Then he will return, and not before.”

For some reason, every one takes this poetic “fuck you” from Mirri Maz Duur to be accurate. Daenerys Targaryen is infertile.

Certainly, Dany thinks so. She frequently reflects upon how her dragons will be her only children after this moment. She believes that Mirri cursed her to be infertile and to never again bear a living child.

But… Dany is young, impressionable, not great at critical thinking, and prone to putting stock in mystical pronouncements as though they were proven fact. In other words, she’s a Targaryen. This is kind of what they do.

Why do readers also lack critical thinking when it comes to the matter of Dany’s fertility?

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None so blind as those that will not see: Dany and the Mad King

This was my entry for the /r/asoiaf annual tournament. I was beaten by Something Like A Lawyer of Wars and Politics of Ice and Fire fame. Now I’m out of the tourney, I can publicly post my entry, and amend it to look further than just the assigned chapter. (And taking on feedback from /r/asoiaf to adjust the essay is good too 🙂 )

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House Targaryen, dragonriding and genetics

A popular belief amongst fans, perpetuated by commentary from characters in the books to show that it is widely believed in-universe, is that House Targaryen only ever practised incestuous marriage.

They certainly were fond of incest, and this was because of their Valyrian heritage. More particularly, their dragonriding heritage. This recently came up on /r/asoiaf where a new fan believed they had cracked a theory, but it’s actually just stated directly in the text: the dragonlords practised incest to maintain their ability to control their dragons.

What is not stated is why this was necessary, but from what we do know about taming dragons, there is more than a component of blood magic. But it’s not always necessary.

That’s the why. This blog is about the who.

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Chapter focus: Dany IV, ACOK – the House of the Undying

Hey ho! Long time no blog. Bad me. Sorry, full time study is more arduous than I remember it being as an undergraduate, and staying afloat on a sea of commerce subjects didn’t leave me much time to blog about fun things, or do the well over due re-read of ASOAIF.

Maybe I should start that anyway, as I dive into my second trimester. Use a chapter or two of ASOIAF a night as a reward for a day of study?

As I do re-read, I’d like to do more chapter-focused blogs, looking at particular chapters or character arcs in depth. I’ve been thinking a lot about prophecy and Dany, and she has one chapter in particular which resonates throughout the series: her trippy experience in the House of the Undying.

So let’s dive in! Down your cup of shade of the evening, and open the doors of wisdom…

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Who are the main players in the Game of Thrones after AFFC/ADWD? (Part 2)

Alrighty. Let’s do this!

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Part 1 is here for those playing along at home…

Who else remains as a core, important character or plot as at the end of AFFC/ADWD?

SPOILER ALERT: I do refer to S6E1 in this post, so if you’re planning to remain completely unsullied…. don’t read.

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What is the “Song” at the heart of ASOIAF?

I’ve thrashed around some ideas in the past putting forward the hypothesis that GRRM is telling two stories within ASOIAF: the Song of Ice & Fire, and the Game of Thrones.

By taking the dual series names, I’m not advocating for book wank over TV fanboys. (Although I am, in general, a proud book wanker – as far as ASOIAF goes. Some of the changes made by the TV show are perplexing and remain to be seen if they are editorial shortcuts or just very bad ideas…)

What I mean is that two complex stories are being told within the one field of war: a mystical story that we don’t understand yet about the Song of Ice & Fire, and the War for the Dawn; against the political shenanigans which we do understand, with a plethora of interested parties duking it out for absolute monarchical control of Westeros.

The Game doesn’t really require extensive analysis, because it’s familiar to us. It’s the political machinations of King’s Landing, the chaos of Littlefinger, the long game of Varys: we recognise it because we see it daily, or can reflect upon history.

But the Song…. what is the Song? Is the Song about magic in all its forms? Or is it specifically about the Others and the Long Night? Is it about balance between Fire (Valyrian/dragon magic) and Ice (Winter/Others’ magic)? Or is it something else entirely?

Now, despite a litany of hilarious suggestions for appropriate ASOIAF music choices on reddit, I didn’t actually mean this question quite so literally. I don’t mean “what is the Song?” as in who is singing it and why, I mean what is the story at the heart of the more magical and metaphysical side of ASOIAF.

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